LULLABY is a story of a Georgian woman who has fled to the faraway country of Greece. IA is a widow and a single mother who, despite her higher education and professionalism, was unable to support her child at home. Mothers like Ia are fleeing Georgia, where a university teacher's salary is only 2 euros per hour. Their illegal status has already cut their way back home. These mothers, beings without gender or personal history, miss their children and struggle with nostalgia and moral dilemmas. Sometimes, as with our protagonist, there is only one option: steal or lie. We, as observers, try to justify her actions; after all, she is just trying to help her 8-year-old son whom she has left behind. However, when there is uncertainty and all the bridges are burnt, a light beam still finds its way, and kindness returns in the most unexpected way. I wanted to travel through the territory of our main character, where in her routine, we could observe the disclosure of her most interesting emotions and attitudes in the face of the challenge of morality. The elderly people who are left alone with these women and spend their final days yearning for their relatives have an important place in this multi-layered history. This is a story about loneliness, about people trapped behind four walls trying to maintain human values in extreme circumstances. Ia manages to mix daily life with poetry, how she keeps being loving and devoted. I invented this story as Ia’s biography, but it is “the autobiography of many people.” I realize that, unfortunately, neither war nor emigration are no longer exotic for the rest of the world. However, for us, the most sensitive fact is that unofficially, from a country with a population of four million, one million women have emigrated to other countries. These are one million women who are scared and oppressed. At the same time, Ia is a tragicomedy. The stories of characters in endlessly complex situations keep the viewer on the verge of tears and laughter.