Nehir Tuna

Divine Poison

A spiritual journey between free-spirited youth and guilt ridden adulthood.

SYNOPSIS

A devout young man reunites with his free-spirited childhood friend, leading him into a clash of buried emotions and a deep spiritual crisis. Heading towards an inevitable life-altering choice. Divine Poison is a story about being shattered between faith and desire.

DIRECTOR/WRITER
Nehir Tuna

PRODUCERS
Nehir Tuna
Dorothe Beinemeier
Thierry Lenouvel

PRODUCTION COMPANY
Tuna Film

CO-PRODUCTION COMPANIES
Red Balloon
Cinesud Promotions

COUNTRIES
Turkey
Germany
France

Nehir Tuna

NEHIR TUNA’s work combines social commentary and an original visual aesthetic, tackling stories on Turkey’s complex present-day issues, be it masculinity or conservatism. His work focuses on stories about young people who are raised under oppression and the impact of those traumas on their lives later on. A Sundance Alumni, he was selected to take part in the 2019 Sundance Screenwriters Lab and the 2020 Directors and Screenwriters Lab. He participated in the 2018 Nipkow Programme’s film residency program. He has written and directed seven short films, including THE SHOES (2018), a prequel to his feature DORMITORY (2023). He studied at Columbia University's Graduate Film Program and holds an MFA in directing from Rochester Institute of Technology. His debut film DORMITORY (2023) premiered at the Venice Film Festival, winning the Bisato d’Oro for Best Screenplay award. The film continues its festival journey, winning the Best Director and Critics' awards in Saint Jean De Luz, Best Film in Annonay, and Best Actor in Marrakech.

DIVINE POISON is my second film, in which we follow a young man’s journey into young adulthood and his spiritual transformation and finding God in the form of love – the ultimate love. According to the New Testament, “The one who does not love does not know God, for God is love.” Unfortunately, however, Abrahamic religions have largely emphasized “fear” instead of “love” in our relationship with God, teaching us to fear God rather than love Him. In my first film YURT, which drew on my own experiences as a young boy growing up in an Islamic dormitory, I focused on the fear used to teach religious doctrines to children. In my second film, I try to approach the idea of feeling God through another way, the way of love. I once read that one must truly lose themselves in order to find their way. Sadly, I was never given the chance to be lost. I was always told what to do, how to feel, what to like. Being consistently and deliberately instilled with fear through Islamic doctrines; I abided by them dutifully until films came to my rescue. Making movies became my way of getting lost so that I could find myself. Have I been found? I don’t know. Have I gotten lost? Many times. It’s been and is still is a journey to myself amongst many ups and downs, but a journey that started much later in life. This film is my hope to find God through love rather than fear; though the lens of freespirited youth that was sacrificed to my dormitory days.

DIRECTOR’S STATEMENT

Production company profile

IGNORE STUDIO was founded in 2016 and is dedicated to the production of art house films, with the explicit goal of broadening the reach of auteur cinema. Among its recent productions are YURT (2023), which premiered at the Venice Film Festival, and NOIR, currently in post-production.

nehirjix@yahoo.com

Where are we at?

TOTAL ESTIMATED BUDGET
1.387.100 €

FINANCES PENDING
1.187.100 €

FINANCES IN PLACE
150.000 €

Production timeline

APRIL 2024 - AUGUST 2025
Development, re-writing, financing

SEPTEMBER 2025 - OCTOBER 2025
Pre-production

NOVEMBER 2025
Production

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