Olivér Rudolf

My Mother, The Monster

ÉVA is a mother in her forties who is disappointed with her life and tired of feeling insignificant. She finds a new identity behind a scary monster mask which liberates her.

SYNOPSIS

ÉVA, a woman in her 40s, suffers from the feeling of being insignificant. She is an unhappy mother and wife. Éva knows her husband has an affair, but she is never brave enough to discuss it. However, she hates her cowardice more than the fact that she is cheated on. As a hairdresser, she started to hate her job and every segment of the beauty industry. Mainly because she always felt that she couldn’t meet the expectations of this world, and she never saw herself as beautiful. Éva suppresses all her desires and emotions, which even contaminates her relationship with the most important person in her life, her daughter. She has been living in these unsolved inner conflicts for years. One day Éva finds a monster mask in a hidden box in their home. She tries it on without any distinct reason. But when she looks in the mirror, she sees that this miserable, rough-skinned face expresses how she feels inside. Somehow it reflects how all the compromises she had made ruined her life, and she thinks this is what she had become over the years. However, it is not scary for her. It feels liberating. Initially, she just goes for a short walk in the neighbourhood with the mask on her head, but later these walks turn into long strolls around the streets of Budapest. She enjoys that her environment is finally noticing her. She loves to provoke them with the mask. Éva feels she never wants to remove this mask and starts rebelling against the world like this. During her stroll in the city, Éva discovers a gay bar, where she finds a welcoming community in the world of drag shows. Under the name of Monster Lady, she starts singing in the bar and experiences the liberty of young adulthood, which she never experienced before. As a monster, she builds up a new identity, which teaches her to love herself again after long years of depression. Éva’s family is suffering from the mother’s absence. Her teenage daughter, VIKI, can’t rely on her parents. She escapes from her loneliness into an unfulfilled platonic love with a 30-year-old rocker guy from the neighbour. Viki has to take care of her father, who is always drunk. The man realises he fell in love with his unreachable monster wife again, but Éva rejects all his approaches. Her daughter feels that everything is falling apart around her. Finally, she decides to bring Éva home. When Viki finds her mom in the drag bar, she makes Éva face her former self. Éva hated herself because she was too much of a coward to rebel, but now she was brave enough to shout out to the world, I’m here. Her daughter wants the same, to be noticed, but not by the whole world, only by her mother. Éva has to decide what to choose.

DIRECTOR
Olivér Rudolf

WRITERS
Olivér Rudolf
Zsigmond Kungl

PRODUCERS
Genovéva Petrovits
Barnabás Tóth-Just

CO-PRODUCERS
Florent Coulon

PRODUCTION COMPANY
KINO ALFA

CO-PRODUCTION COMPANY
Vrai Vrai Films

COUNTRY
Hungary
France

Olivér Rudolf

OLIVÉR RUDOLF (1991) was born in Budapest, Hungary. He graduated from the University of Theatre and Film Arts, Budapest (SzFE) as a director in 2019. He is finishing his MA studies at the Freeszfe Society in partnership with the Filmakademie Wien. During his university years, he directed and wrote several short films. FONICA M-120 (2020) was selected for Cannes Cinéfondation and the Student Film section of the Sarajevo Film Festival in 2021. He is currently working on his first feature film, MY MOTHER, THE MONSTER, which was also selected for the Nouvelle-Aquitaine Region Full Circle Lab and ALCA Writing Residency. The Creative Europe Media program's mini slate grant has co-funded the project.

I came across a picture two years ago that depicted a woman wearing a scary monster mask. She was standing in front of a forest in the middle of the night, holding a flashlight. It had a magical effect on me, and I wanted to find out who was behind the mask. This picture had an insoluble paradox in itself. It seemed to me that this mysterious woman was hiding away from something and starting to rebel at the same time. For me, it seemed like a last, desperate cry for help and a dense moment of the birth of a new identity. Later, I realised that somehow I was connected to this person. I could see all of my frustrations and anger hidden behind that mask. But I could see all of them even better in a mother’s rebellion, who has lost the connection with the world and can no longer stand the suffocating atmosphere of society. I discovered a quiet, introverted woman. Someone who never raises her voice and doesn't express her opinion because she's afraid she might not be interesting. A person who never sits down on the bus in case an old passenger gets on. Who always puts others first throughout her life. Someone who knows her husband is cheating on her, but she doesn't dare to talk about it. A mother whose only pride in life is her daughter, but her suppressions contaminate even their relationship. Someone who cannot stand the roles imposed on her as a woman, wife, and mother, and she can’t stand being invisible anymore. Where can she go? What can somebody do if she feels that she has never lived the life she wanted and lost the connection with the most important person in her life, her daughter? ÉVA chooses a new identity and submerges into Budapest's dark and absurd nightlife, getting to know strangers, desperately looking for something that she doesn't even understand. How does society treat her as an outsider in 2023 in Hungary, and how does it all affect her teenage daughter, who is completely left alone and wants nothing more than to experience true affection? This film is an ode to rebellion, seeking answers to these questions.


DIRECTOR’S STATEMENT

Genovéva Petrovits

GENOVÉVA PETROVITS studied theatre at La Sorbonne, then had a diploma in French Language and Literature in Budapest, followed by the training program Atelier-Ludwigsburg in Paris in 2012-2013, which was an important steppingstone for her to become a producer. In 2015, she also gained a master's diploma in Design and Art Management at Moholy-Nagy University in Budapest. Completing all the studies and experiences she gained in the field, she has taken several training programs and participated in workshops such as Nipkow Program’s script development workshop together with Mihály Schwechtje. She is also an alumna of the Berlinale Talent Campus and Emerging Producers 2022. As a producer, she also developed three feature film projects supported by the Creative Europe Media Programme’s mini slate grant. In 2019, she started working on the next feature film of Mihály Schwechtje, which won a Eurimages Co-Production Development Award in Cluj at Transylvania Pitch Stop. She has started her own film production company KINO ALFA in 2019. The company already has a colourful portfolio. Several projects received national and international funding. One first feature film is in pre-production, and three are in development.

Production company profile

KINO ALFA is a Budapest-based film production company created in 2019 by film producer Genovéva Petrovits. In the last few years, the company developed several films which received national and international funding. The company has a colourful portfolio with both emerging and established film authors. The company works with carefully selected talents who feel the urge to describe and reflect on society. At the company, staying critical and bringing contemporary stories to the audience is essential.

Where are we at?

TOTAL ESTIMATED BUDGET
800.000 EUR

FINANCES PENDING
755.000 EUR

FINANCES IN PLACE
45.000 EUR

Production timeline

MAY 2024 - SEPTEMBER 2024
Pre-production

SEPTEMBER 2024 - OCTOBER 2024
Shooting

OCTOBER 2024 - FEBRUARY 2025
Post-production

MAY 2025
Delivery

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