Ana Kitanova

Cold

Three winter stories, united by the specific colour of a small and remote mountain village. The lives of its inhabitants are full of joy, sadness and peculiar kindness.

SYNOPSIS

In the winter of 1967, VASSA THE SCROOGE wins an apartment in Sofia and a Volga car from the lottery. While his friends eat and drink at the local pub for three days at his expense, Vassa’s new car breaks down on a deserted hill, and he is forced to fight a pack of wolves overnight, which ends with the car being crushed and the wolf fur left on the bumper. Vassa’s companions in the pub are impressed by his bravery, though they don’t quite believe the hero story. In the winter of 1980, the news of JORDAN THE TEACHER's death arrives in the village. Although ignored by his fellow villagers during his lifetime, they remember him with a smile and respect. On New Year’s Eve in 1993, Aunt VASSILKA’s husband, an alcoholic, in an attempt to hit her, falls down the stairs and dies. Two neighbours stiffen a coffin and bury the man. After feeding them, Vassilka feels relief for the first time and enjoys her first sip of rakia. Ten years later, foreigners find the Teacher’s notebook.

DIRECTOR
Ana Kitanova

WRITER
Iliana Kitanova

PRODUCER
Stefan Kitanov

PRODUCTION COMPANY
RFF International

COUNTRY
Bulgaria

Ana Kitanova

ANA KITANOVA (1988) was born in Sofia. She graduated in Film and TV directing from National Academy for Theatre and Film Art, Sofia, in 2013. During her study, she took part in various international workshops and training programs, among which Summer Media Studio (Lithuania), School of Electrical Engineering and Computer Science (Turkey), and Sarajevo Talent Campus (Bosnia and Herzegovina). She is a director, scriptwriter and has worked as 1st and 2nd AD in various film projects over the last 15 years.

DIRECTOR’S STATEMENT

COLD is based on three stories, set in wintertime in a small, backwater village in the Trun area. The Trun area is quite specific with its colourful local population, the hot temper and the inimitable dialect of the local people. The climate there is tough, and so are the locals. However, they'd help each other and be quite human in difficult times. The stories in COLD are set in different periods. Most of the characters are different in the individual stories, yet certain odd elements are present in all of them. Such a common element is the intimate atmosphere around the kyumbe (stove) in the village pub, but also the challenges the people are facing provoked by the big cold. This cold would even make the stars shiver. The Trun area provoked me partly because my family came from the place and because of the long periods in my childhood, which I spent in the rocky hills over there, listening to colourful, magical stories and legends. Quite naturally, DESTINY OF A BUM (2021), the documentary I recently completed, is about those places. While shooting it, I had the chance to spend much time among the local people, immersed in their peculiar culture and world perceptions. And years ago, I read Bone Rusinov's Fiery Dance compilation of short stories, and they provoked the idea to start this feature project. My mother, scriptwriter Iliana Kitanova, used to tell me about her childhood. She, too, used to spend the school holidays in our family house in Trun and remembers that the people still living there never spoke to their neighbours. COLD is a project loaded with feelings for those times that will never return. It is an attempt to get in touch with the world of my parents, my grandparents, to try to fathom their views of the world.

Stefan Kitanov

STEFAN KITANOV, from 1992 through 1999, was a director and programmer of the Cinema House, Bulgaria's leading art house cinema theatre. In 1997 he founded Sofia International Film Festival, considered as the biggest international film festival in Bulgaria and one of the key film events in Central and Eastern Europe, accredited by FIAPF. Since 1995 with both production companies, he founded -  RFF International and Art Fest - he has produced and co-produced more than 20 films which received national and international recognition from directors such as Rangel Valchanov, Nuri Bilge Ceylan, Tony Palmer, Stephan Komandarev, Jessica Woodworth and Peter Brosens, Levan Koguashvili, Dušan Milić, Radivoje Andrić, Nadejda Koseva, Andrej Kosak, Teddy Moskov, among others. Kitanov has released theatrically in Bulgaria more than 150 European films by directors such as Wim Wenders, Michael Haneke, Nuri Bilge Ceylan, Lars von Trier, Volker Schlondorff, Aki Kaurismäki, Terry Gilliam, Dardenne Brothers, Danis Tanović, François Ozon, Fatih Akin, Ken Loach, Margarette von Trotta, Hirokazu Kore-eda, Jafar Panahi, Alice Rohrwacher, Andrej Zviagintzev, Cristian Mungiu, Dušan Milić, Radivoje Andrić, Kornel Mundrucso. He was a Bulgarian representative in the Board of Management of Eurimages, 1997-2000. He was a member of juries in Venice, Cannes, Karlovy Vary, Warsaw, Busan, Cairo, Moscow, Cluj, Wiesbaden, Lecce, Thessaloniki, Yerevan, Vologda, Komarom, Torun, European Parliament/LUX Award, EFA. He is a member of the European Film Academy.

Production company profile

RFF INTERNATIONAL is a production company founded in 1995. The company, together with its daughter company Art Fest, produced and co-produced more than 20 films, the most successful of which was THE WORLD IS BIG AND SALVATION LURKS AROUND THE CORNER (2008) by Stephan Komandarev (Bulgaria-Germany-Hungary-Slovenia-Serbia), which was included in the Foreign Language Oscar shortlist and sold to more than 100 territories. The most recent successes of the company were the co-productions THE WILD PEAR TREE (2018) by Nuri Bilge Ceylan (Cannes Competition) and Dušan Milić’s DARKLING (2022) (Audience Award in Trieste, Serbian entry for International Oscar).

Where are we at?

TOTAL ESTIMATED BUDGET
680.495 EUR

FINANCES PENDING
293.436 EUR

FINANCES IN PLACE
387.060 EUR

Production timeline

OCTOBER 2024
Funding & Pitching; Market Participation

NOVEMBER - DECEMBER 2024
Preparation

JANUARY - FEBRUARY 2025
Shooting

MARCH - JUNE 2025
Picture editing

JULY - SEPTEMBER 2025
Sound post-production

NOVEMBER - DECEMBER 2025
Completion

FIRST HALF OF 2026
First public screening

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