The story of addiction is a story of filling an emotional, metaphysical void that is enormous and insistent. Its filling is painful and unsuccessful. However, the tone of this film is not depressing because the personality of the main character, SABINA, is the basis for creating the atmosphere. She goes through the biggest problems with the innocence of a little girl. Her naivety and kindness do not justify her, but they do indicate that the addiction she has is stronger than she is. The absurdity of the situations she finds herself in and the diaspora world she belongs to carry a dose of humor. Stuck in a divided identity like in limbo, in a world of illusions, unfulfilled dreams, and materialism, they manage as best they can. The contrasts and layers of human imperfection, and the world of people who are at home nowhere, neither in the West nor in Bosnia, are the basis for the visual identity of this film. Sabina's world is divided into two parts: reality and the casino. In the world of reality, things are almost documentary, full of non-professional actors found in places like beauty salons, the salsa club, or the Pyramid of the Sun. The world of the casino changes throughout the story – sometimes it is a fairy-tale refuge, sometimes a hellish labyrinth. Sabina wears bright colors, as this reflects her temperament. Her style is a mix of Western fashion in a Balkan way. She sees the world in Bosnia as a place of fun, so the way this world is portrayed is full of colors and liveliness. The vividness is artificial, manipulative, like the seductive lights of the casino. Her life revolves around constantly finding solutions to the problems she increasingly falls into, and the camera should follow her as if it has no other option. The anti-heroine Sabina reflects the paradigm of Bosnia and the Balkans today – insecure in her identity and orientation, rushing into certain ruin by her own mistake. However, the fact that she overcomes herself makes her a heroine in the end.